THREE:"Mine, too!" I cried, springing up after her. How queerly the inner house stood alight and silent, its guests and inmates hidden, while outside pistols and carbines flashed and cracked. I came upon Charlotte, just recrossing her chamber to leave it, with her doll in her arms. "Come!" I cried, "our line is falling back behind the house!" Her head flinched aside, a bit of her hat flew from it, and a pistol-ball buried itself in the ceiling straight over my head. We ran downstairs together, pulling, pushing and imploring each other in the name of honor, duty and heaven to let him--let her--go out first through the bright hall door. Kendall was not in sight, but in a dim half-light a few yards off we saw Oliver. He was afoot, bending low, and gliding toward us with his revolver in his left hand. He fired as I did; her clutch spoiled my aim; with eager eyes she straightened to her finest height, cried "Richard! tell Lieutenant Ferry he--" and with a long sigh sank into my arms. A rush of hoofs sounded behind Oliver, he glanced up, and Ferry's blade fell across his brow and launched him face upward to the ground. I saw a bunch of horses, with mine, at the foot of the steps, and a bunch of men at the top; Ferry snatched Charlotte's limp form from me and said over his shoulder as he went down the steps, "Go get him and bring him along, dead or alive!""Yes, Lieutenant, I'll do so with pleasure, and I'm sure what you say will have the proper--here are the ladies."
FORE:"I sha'n't be gone long, Mary, and I'll bring you such lots of nice things when I come back." Then there was another kiss, and Mary concluded she would have her cry some other time.
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THREE:STREET SCENE IN CANTON. STREET SCENE IN CANTON.
THREE:She met his eyes with complete frankness: there was nothing to show whether she had caught the suggestion that lurked in his speech or not.PLOUGHING WITH A BUFFFALO. PLOUGHING WITH A BUFFFALO.
